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I feel like as far as which decks people go in then initial target audience of the group/unit or persons career really has to be the deciding factor for consistency since you take BoA she debuted in Korea but stopped promoting in Korea to learn Japanese and focus there which she got more popular in Japan than she was in Korea. Isn't what she was debuted for but it was the beginning of that awkward time in the industry where Kpop was pretty dead until Wonder Girls got popular.Yeah, that was the reason. WayV and NiziU are there as well even though both started off mainly to cater for overseas audience but also coming from korean based companies. Tiffany was gonna be in the international deck and then she signed with korean label so she ended up in batch 9.
It's kinda wishy washy with international groups that also have a foot in the kpop market.