I was like the only person who said I really liked the long drawn out negotiations period because to me that indicated the artist not the company was in control. BP members have power (probably still not as much power as YGE in kpop) but overall that can only be a good thing for the artist...
I think it's true to a certain extent - but for example SKZ (you would know more about them) got their IG accounts last year but Itzy still don't have those. SKZ also have more solo activities compared to Itzy and I think nmixx also have more solo activities compared to Itzy so I think it's...
because without all the moneys from their solo activities the only money BP is bringing back to YG is previous royalties and although I think that's considerable I don't think it's even a fraction of what "could" bring in
mate all these teenagers couldn't appreciate the greatness of the music that came out during that era
the other day I was hanging out with a friend and their teen/preteen daughter who recently discovered kpop but had never heard of GANGNAM STYLE!!!!
who had to prove themselves??? twice members??? twice were like bloody NGG when cheer up and TT were released - what else do they have to do to prove themselves?? lol
If that was and it seems like it was JYPE policy back then which is absolutely crap...look at the amount of cfs and solo...
see this is where I differ
for 6 years JYP (the man) had the ghost of Suzy haunt him that he not only failed but actively prevented any solo activities to the twice members...
prior to twice and BP there were only two GG in the entire history of GG that renewed with all members with the same...
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